You'll Hear It | Getting the Most Out of the Half/Whole Diminished Scale

February 13, 2019 • 18 Minutes

Getting the Most Out of the Half/Whole Diminished Scale - S3E33

Piano Week continues with Peter and Adam showing off one of their favorite scales to use.The ending theme song for today's episode is "Stretch" by David Zeltner. To get your music featured on You'll Hear It, send an MP3 recording of your music to andrew@openstudionetwork.comLet us know what you think by leaving a ⭐⭐⭐⭐⭐⭐⭐ review, or head over to our YouTube channel and leave a comment for this episode.Interested in more jazz advice? Go here to browse our catalog of jazz lessons and courses available for purchase.Follow us on Facebook, Twitter & Instagram at:https://www.facebook.com/heyopenstudiohttps://twitter.com/heyopenstudiohttps://www.instagram.com/heyopenstudio See acast.com/privacy for privacy and opt-out information.

Piano Week continues with Peter and Adam showing off one of their favorite scales to use.

The ending theme song for today's episode is "Stretch" by David Zeltner. To get your music featured on You'll Hear It, send an MP3 recording of your music to andrew@openstudionetwork.com

Let us know what you think by leaving a ⭐⭐⭐⭐⭐⭐⭐ review, or head over to our YouTube channel and leave a comment for this episode.

Interested in more jazz advice? Go here to browse our catalog of jazz lessons and courses available for purchase.

https://www.facebook.com/heyopenstudio

https://twitter.com/heyopenstudio

https://www.instagram.com/heyopenstudio

See acast.com/privacy for privacy and opt-out information.

Creators and Guests

Host

Adam Maness

Jazz pianist & Creative Director at Open Studio.

Host

Peter Martin 🎹

Peter Martin is an acclaimed jazz pianist and entrepreneur. Over the past 25 years he has performed at most of the major venues and jazz festivals on six continents, including twice at the White House for President Obama. He is the founder of Open Studio, pioneering in the field of online jazz education. Peter was recently featured in the New York Times for his ground breaking work

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